What information does a set designerlook for when reading a script?

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Learning Goal: I’m working on a theater practice test / quiz and need an explanation and answer to help me learn.8 – Mon Jan 31 – The Artistry of the Set (group 7)Reading 7 due: CH 4 – The Artistry of the Set, SculptingSpace in the Theater – George Tsypin, John Lee Beatty,John Conklin interviews, “Ming Cho Lee a Life in Design9 – Wed, Feb 2 – Production Design for Film and TV(group 8)Masters of Production – documentary film screening in-class – worksheetReading 8 – The Joy of Sets, The Visionaries Behind theMemorable Worlds of Film 2, Production DesignerBarbara Ling on Conjuring Quentin Tarantino’s Period LAin Once Upon a Time… in Hollywood z10 – Mon Feb 7 – Costume Design for Film (group 9)Reading 9 due – Cole – Costume Design for Film, How toread costume on Film 2, Superhero Costume Design IsFinally Getting the Recognition It Deserves 211 – Wed Feb 9 – Collaboration -Directors & DesignersHal Prince, the director of ThePhantom of the Opera, had some initialideas about what the design for theshow should be including ____________O setting it in a Victorian industrial environment to emphasize thePhantom’s alienationO none of these choicesO a heavy use of realistic lighting to”blind” the PhantomO a colorful and detailed recreation ofthe Paris Opera HouseO setting it in a black conjurer’s box andemphasizing the Phantom’s erotic auraInfluential designer ____________was the first person credited with thetitle Production Designer.O William Cameron MenziesO Gene AllenO Cecille B. DeMilleO Richard SylbertO Bob BoyleFor comic book based films ‘supersuit’costumes are now created usingadvanced technologies including__________O complex surface pattern developmentO vacuform moldingsO 3-D printingO All of these thingsO muscle sculptsThe designer ____________ transformedAmerican set design with his designfor Electra and is considered the fatherof 20th century set design in America.O Jo MielzinerO Robert Edmond JonesO Tony WaltonO Ming Cho LeeO John ConklinThe history of film production designcan be roughly divided into threegenerations: ____________O the studio era, the post-studio era ofthe 1960s-1990s, and the digital era oftodayO the Menzies era, the Sylbert era, andthe Ling eraO the talkies era, the television era, andthe streaming eraO the silent film era, the golden era, andthe television eraO none of these choicesThe film Once Upon a Time..inHollvwood features___________O the history of production design formoviesO a recreation of Los Angeles during thesilent film era 1920sO production designer Barbara Ling’sfantasy idea of a Hollywood of thefutureO the story of the making of the filmChinatownO none of these choicesTony Walton’s award winning designfor Guys and Dolls was__________O inspired by his research of thesalvation armwO very colorful and inspired by thedirector’s ideaO black, white and gray to represent theurban grittiness of New York CityO a recreation of a previous design of theshowO none of these choicesWhat information does a set designerlook for when reading a script?O Architectural requirementsO all of these choicesO LocationO GenreO Time periodBlack Panther costume designer RuthCarter__________O had Queen Ramonda’s intricateheadpiece and mantle 3-D printedO received her third Oscar nominationand first winO All of these thingsO incorporated elements from the peopleof Africa throughout the continent’shistoryUnusually, for the theatre productionof The Lion King the whole designteam was set up together in a designstudio in New York which madecollaboration during the designprocess incredibly easy and holistic.O TrueO FalseThe collaborative process whencreating theatre____________O all of these choicesO requires thorough communication byeveryone about all elements ofproductionO requires diplomacy, flexibility, andgood negotiating skillsO is the organizing principle in this artformO is the actual coordination of workbetween everyone working on theprojectScenic designers design the physicalsurroundings of the play to definewhere the characters areO TrueO FalseDesigner____________ depends ontheir subconscious to contribute totheir design process and saysdesigning is dreaming.O George TsypinO John ConklinO Rae SmithO Bob CrowleyO Ricardo HernandezAspects of designing costumes for filmthat are the same in the theatreare_________O the production processO the scheduleO the budgetO creating the visual look of thecharactersO all of these choicesIn Richard Sylbert’s design for the filmChinatown he used __________to express the story of the drought in1930s Los Angeles.O the cool colors of waterO the neutral colors of ‘control’O the colors of burnt grass and whiteheatO the textures of dead leavesO sleek modern architectureProduction models are threedimensional, show the scenic designcomplete in every detail and exact inscale.O TrueO FalseTo enhance the minimal, gothic designof The Phantom of the Opera, thelighting designer, Andrew Bridge, usedhigh contrasts and dark shadows tobring out the details in the set andcreate a mysterious and romanticatmosphere.0 TrueO FalseIn production design today the use ofdigital effects has replaced manyspecialized craftspeople who createdsets in previous eras.O TrueO FalseBONUS QUESTION”The future is old” refers to___________with its groundbreaking designs of Los Angeles in a dystopianfuture.O Once Upon a Time…in HollywoodO ChinatownO LA LA LandO Masters of ProductionO Blade Runner
Requirements: True and falses

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