Pan S Labyrinth 3 Pages Paper

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The imagery of Pan’s Labyrinth closely connects with the tradition of fairy-tales and fantastic literature. In consultation with the reading on Pan’s Labyrinth’s narrative(esp. pp. 15 – 19), discuss the fairy-tale elements and narrativeconventions used in the film. Make sure to address: (1) key charactersof fairy tales as described by Vladimir Propp; how are these characters(magical helpers, villains, etc.) used in the film? Do these traditionalcharacters ever take an unusual role: e.g. do magical helpers everbecome villains? (2) other fairy-tale elements and iconography used inthe film (the number three [or the trebling], the moral resolution, thekey, etc.). How is the fairy-tale intertwined in the film with”reality”? How does the film’s conception of fairy tales and monstersconform or break with fairy-tale mythology in terms of characterizationand resolution?
In consultation with the reading on the film’s genre (pp. 21 – 28), discuss how Pan’s Labyrinth drawson the genres of horror and fantasy. What traditional conventions andiconography of both genres does the film utilize? Does the director everdepart from or re-interpret the classical conventions of both genres?Give specific examples from the film. (For those of you interested inand familiar with other films of similar genres, feel free to compareGuillermo Del Toro’s film with other examples such as Harry Potter or The Chronicles of Narnia).
Theconsultation with the reading on the film’s messages and values,provide a detailed discussion / interpretation of one of the film’s keythemes (some of the themes that Tanya Jones, the author of your reading,points out are oppression and resistance, activity and passivity,family and gender, childhood, death and rebirth). Feel free to exploreanother theme or motif that you feel is prominent in the film (e.g. assome might argue that a prominent motif in the film is clocks. Is thereanything else that you noticed?)
Discuss the film’s pictorialreferences (Goya, Rackham), lighting, color, and the use of diegetic andnon-diegetic sound. How do the film’s aural and visual componentsestablish the boundaries of the real world and the fantasy environment?Is the fantasy world always presented as escapist? (as an example,consult pp. 43 – 44: what is the role of the color red in the scenesdepicting the lair of the Pale Man?)
And short peer review forthis one : 1.In the imagery of Pan’s Labyrinth, the key charactersdescribed are portrayed as magical helpers such as the Faun. WhenOfelia’s mother was going through the sickness from her labor the Faunbrought Ofelia a magical root which helped in healing her mother. Butthis then turns sideways when Ofelia disobeys the Faun’s order andshortly after that the tragedy with her mother’s death arises. It canthen be seen as though the magical helper suddenly turned into a villainwhen his orders weren’t obeyed, but then flips again at the end when heshows up in the scene with her mother and father and tells her she madethe right choice in choosing herself instead of sacrificing herbrother.Other fairy tale elements include the visualization of the Faunand the fairies the Faun resembles an avatar while the fairy can bringthoughts of tinker bell. The fairy tale intertwines through the wayeverything is played out. It almost reminds me of the show Once Upon ATime because of the book and how it would only reveal to her what hernext task was. It was as though the book itself was telling the futureto what would happen next.The films conception of fairy tales andmonsters conforms with fairy-tale resolution because at the end of manyfairy tales its either a hero dies, or someone falls in love.2.The filmutilizes horror and fantasy. The film incorporates both genres in a waythat is seen in many other movies and follows a similar format. In thescene when Ofelias mother throws away the magic root you can see thefantasy portrayed through the cries of the root and then the horrorcomes when her mother falls to the ground clutching her stomach in pain.It shows the connection between the health of the magic root and thehealth of her mother.3.Childhood, death, and rebirth are the firstthemes that I noticed as the film began, in the beginning it was givingthe background story to the princess who had died and then it shows thevery last scene when Ofelia was dying but at the moment it wasn’t knownthat was Ofelia instead I had assumed it was the princess from thefairytale. The films message for these themes is portrayed throughOfelia. She is seen as the reincarnation of the former princess orthat’s what the Faun wants her to believe. In the scene when Ofelia hasthe encounter with the pale man it can be seen the many lives ofchildren that were sacrificed there. It made it seem as though that was amessage to Ofelia to try and save any other children who would’ve beeneaten by the monster.From the beginning I also noticed how adventurousOfelia was, her sense of adventure and wandering is what brought herinto this fantasy world.4.The role of the color red from the pale manscene depicts the blood shed from all the children that he’s eaten. Butbesides that, the use of color in the movie was very important indepicting the sense of environment that was being portrayed. the use ofthe color green and darker colors depicts the underground world thatFaun lived in. That color was only predominant when Ofelia visited Faunsunderground world.

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