An analysis of a painting

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QUESTION
 
An analysis of a painting, or any work of art, should address six basic questions: who, what, when, where, how, and why. The answers to these questions are so interdependent that the order in which they are posed depends upon the evidence of each individual
painting and upon the viewer’s own sense of priorities.
– Formal Analysis ( The subject of a painting deals entirely with it visual properties, regardless of subject matter and interpretation. Some thing to consider):
1. Format. What is the size of the painting? What is the proportion of height to width? What is the relation of forms or shapes to frame? Does the frame respect the integrity of the forms or cut them off? Does the interaction of frame and forms produce harmony or tension? (“Frame” in this context refers to the perimeter of the pictorial areal.)
2. Composition. (the organization of shapes within the pictorial area andtheir interrelationships).
Simple or complex? Geometrically ordered or free and seeming accidental? Symmetrical or asymmetrical? Variety of repetition of forms? Are some forms dominant over others? Is the
organization of shapes crowded or spacious? How do the shapes relate to each other in size and placement? Do the organization and repetition of forms establish a dominant geometry or rhythm?
3. Individual Objects. Many or few? Large or small (both in relation to the outside world and to the picture area)? What ranges of sizes? Regular or irregular shapes? What kind of pattern do they form? What proportion of solid and “broken-up” areas? Emphasis on center or marginal areas? Degree of ornateness? Are the forms bulging or flat?
4. Line. Are the forms defined by lines? Are the lines clear or blurred?
Angular or curved? Static or active? Subservient (as boundaries, for
example) or assertive? Are there lines at all?

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